Buddhist Art and Iconography (Janet E. Gunn, Fall 2008)

Contributed by Janet E. Gunn, University of Ottawa

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Coomaraswamy, Ananda K. The Origin of the Buddha Image. New Delhi: Munshiram Manoharlal, 1980.

Cummings, Joe (text) and Bill Wassman (photographer). Buddhist Stupas in Asia: The Shape of Perfection. Melbourne: Lonely Planet Publ., 2001.

Cunningham, Alexander. Stupa of Bharhut. New Delhi: Munshiram Manoharial Publ., 1998.

Cunningham, Michael R., et al. (The Cleveland Museum of Art) Buddhist Treasures from Nara. New York: Hudson Hills Press, 1999.

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Dallapiccola, Anna, ed. The Stupa: Its Religious, Historical and Architectural Significance. Wiesbaden: Franz Steiner Verlag, 1980.

Davidson, J. Leroy. The Lotus Sutra in Chinese Art: A Study in Buddhist Art to the Year 1000. New Haven CT: Yale University Press, 1954.

Dehejia, Vidya. Early Buddhist Rock Temples. Ithaca, NY: Cornell University Press, 1972.

Dorjee, Pema. Stupa and Its Technology: A Tibeto-Buddhist Perspective. Delhi: Motilal Banarsidass/New Delhi: Indira Gandhi National Centre for the Arts, 1996.

Fisher, Robert E. Buddhist Art and Architecture. London: Thames and Hudson, 1993.

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Gmpojab (mGon-po-skyabs, Chinese trans.) (Cai Jingfeng, English trans.). The Buddhist Canon of Iconometry. Ulm, Germany: Fabri Verlag, 2000.

Govinda, Lama Anagarika. Psycho-Cosmic Symbolism of the Buddhist Stupa. Berkeley, CA: Dharma Publ., 1976.

Gray, Basil (J.B. Vincent, photographer). Buddhist Cave Paintings at Tun-Huang. London: Faber and Faber, 1959.

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Heine, Steven. A Blade of Grass: Japanese Poetry and Aesthetics in Dogen Zen. New York: Peter Lang, 1989.

Heller, Amy. Tibetan Art: Tracing the Development of Spiritual Ideals and Art in Tibet, 600-2000 A.D. Milano: Jaca Books, 2000.

Hirota, Dennis, ed. Wind in the Pines: Classic Writings of the Way of Tea as a Buddhist Path. Fremont, CA: Asian Humanities Press, 1995.

Huntington, Susan L. and John C. Huntington. Leaves from the Bodhi Tree: The Art of Pala India (8th-12th centuries) and Its International Legacy. Seattle, WA: The Dayton Art Institute, 1990.

Ishida, Mosaku, et al. Japanese Buddhist Prints. New York: Harry N. Abrams, 1964.

Jackson, David P. A History of Tibetan Painting: The Great Tibetan Painters and Their Traditions. Wien: Verlag Der sterreichischen Akademie Der Wissenschaften, 1996.

Jackson, David P. and Janice A. Jackson. Tibetan Thangka Painting: Methods and Materials. London: Serindia Publ., 1984.

Jacques, Claude and Michael Freeman. Angkor: Cities and Temples. Bangkok: River Books, 2001.

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Karetsky, Patricia Eichenbaum. Early Buddhist Narrative Art: Illustrations of the Life of the Buddha from Central Asia to China, Korea, and Japan. Lanham, MD: University Press of America, 2000.

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Klimburg-Slater, Deborah E., ed. The Silk Route and the Diamond Path: Buddhist Esoteric Art on the Trans-Himalayan Trade Routes. Los Angeles, CA: UCLA Arts Council, 1982.

Knox, Robert. Amaravati: Buddhist Sculpture from the Great Stupa. London: The British Museum Press, 1992.

Kobayashi, Takeshi. Nara Buddhist Art: Todai-ji. New York: Weatherhill, 1975.

Kossack, Steven M., Jane Casey Singer and Robert Bruce-Gardner. Sacred Visions: Early Paintings from Central Tibet. New York: The Metropolitan Museum of Art/New Haven, CT: Yale University Press, 1999.

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Landaw, Jonathan and Andy Weber. Images of Enlightenment: Tibetan Art in Practice. Ithaca, NY: Snow Lion, 1993.

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inrothe, Rob. Ruthless Compassion: Wrathful Deities in Early Indo-Tibetan Esoteric Buddhist Art. London: Serindia Publ., 1999.

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Malandra, Geri H. Unfolding the Mandala: The Buddhist Caves at Ellora. Albany, NY: State University of New York Press, 1993.

Mammitzsch, Ulrich. Evolution of the Garbhadhatu Mandala. New Delhi: Aditya Prakashan, 1991.

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Mizuno, Seiichi. Asuka Buddhist Art: Horyu-Ji. New York: Weatherhill, 1974.

Moore, Elizabeth, Hansjrg Mayer and U win Pe. Shwedagon: Golden Pagoda of Myanmar. London: Thames and Hudson, 1999.

Nehru, Lolita. Origins of the Gandharan Style. Delhi: Oxford University Press, 1989.

Okakura, Kakuzo. The Book of Tea. Rutland, VT: Tuttle Publ., 2000.

Okazaki, Joji (Elizabeth ten Grotenhuis, trans.). Pure Land Buddhist Painting. Tokyo: Kodansha International, 1977.

Olazaki, Joji. Pure Land Buddhist Painting. Tokyo: Kodansha, 1977.

Olson, Eleanor. Tantric Buddhist Art. New York: China House Gallery, 1974.

Pal, Pratapaditya (with Valrae Reynolds). Art of the Himalayas: Treasures from Nepal and Tibet. New York: Hudson Hills Press, 1991.

Pal, Pratapaditya. The Art of Tibet. New York: Asia House Gallery Publ., 1969.

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Pal, Pratapaditya. The Arts of Nepal, Part 2: Painting. Leiden: E.J. Brill, 1978.

Pal, Pratapaditya. A Buddhist Paradise: The Murals of Alchi, Western Himalayas. New Delhi: Ravi Kumar, 1982.

Pal, Pratapaditya. The Light of Asia: The Buddha Sakyamuni in Asian Art. Los Angeles, CA: Los Angeles County Museum of Art, 1984.

Pal, Pratapaditya (text). Marvels of Buddhist Art: Alchi Ladakh. Hong Kong: Ravi Kumar, 1988.

Pal, Pratapaditya. Tibetan Paintings: A Study of Tibetan Thankas, Eleventh to Nineteenth Centuries. London and Scranton, PA: Ravi Kumar/Sotheby Publ., 1984.

Pal, Pratapaditya and Julia Meech-Pekarik. Buddhist Book Illuminations. New York: Ravi Kumar, 1988.

Rambach, Pierre. Secret Message of Tantric Buddhism. New York: Rizzoli International Publ., 1979.

Ran, Wei Ancient Chinese Architecture: Buddhist Buildings. New York: Springer-Verlag Wein, 2000.

Rawson, Philip. Sacred Tibet. London: Thames and Hudson, 1991.

Reedy, Chandra L. Himalayan Bronzes: Technology, Style, and Choices. London: Associated University Presses, 1997.

Reynolds, Valrae. From the Sacred Realm: Treasures of Tibetan Art from the Newark Museum. New York: Prestel, 1999.

Rhie, Marilyn M. and Robert A.F. Thurman. Wisdom and Compassion: The Sacred Art of Tibet. New York: Asian Art Museum of San Francisco and Tibet House/New York: Harry N. Abrams, Publ., 1991.

Riboud, Marc. Angkor: The Serenity of Buddhism. London: Thames and Hudson, 1999.

Ricca, Franco and Erberto Lo Bue. The Great Stupas of Gyantse: A Complete Tibetan Pantheon of the Fifteenth Century. London: Serindia Publ., 1993.

Sanford, James H., William R. LaFleur and Masatoshi Nagatomi, eds. Flowing Traces: Buddhism in the Literary and Visual Arts of Japan. Princeton, NJ: Princeton University Press, 1992.

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Saunders, E. Dale. Mudra: A Study of Symbolic Gestures in Japanese Buddhist Sculpture. Princeton, NJ: Princeton University Press, 1985.

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Sen, Shoshitsu, ed. and Alfred Birnbaum, photographer. Chanoyu: The Urasenke Tradition of Tea. New York: Weatherhill, 1989.

Sen Shoshitsu XV (V. Dixon Morris, trans.). The Japanese Way of Tea: From Its Origins in China to Sen Rikyu. Honolulu, HI: University of Hawaii Press, 1998.

Seneviratna, Anuradha and Benjamin Polk. Buddhist Monastic Architecture in Sri Lanka. New Delhi: Abhinav, 1997.

Seo, Audrey Yoshiko and Stephen Addiss. The Art of Twentieth Century Zen: Paintings and Calligraphy by Japanese Masters. Boston, MA: Shambhala, 2000.

Sharf, Robert H. and Elizabeth Horton Sharf, eds. Living Images: Japanese Buddhist Icons in Context. Stanford, CA: Stanford University Press, 2002.

Shimano, Eido Tai and Kogetsu Tani. Zen Word, Zen Calligraphy. Boston, MA: Shambhala, 1992.

Singer, Jane Casey and Philip Denwood, eds. Tibetan Art: Towards a Definition of Style. London: Laurence King/Alan Marcuson, 1997.

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Soni, Sujata. Evolution of Stupas in Burma: Pagan Period, 11th to 12th Centuries A.D. Delhi: Motilal Banarsidass, 2nd ed., 1998.

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Suzuki, Daisetz T. Zen and Japanese Culture. Princeton, NJ: Princeton University Press, 1959.

Tanahashi, Kazuaki. Brush Mind: Text, Art, and Design. Berkeley, CA: Parallax Press, 1990.

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